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All the groups in our Network.

Talking Poetry: Using Interview Transcripts in Poetic Practice

Private Course Group with 17 members

1 Oct – Assignment 1 (AS1) set
8 Oct – AS1 Submission
15 Oct – Feedback for AS1, AS2 set
22 Oct – AS2 Submission
29 Oct – Feedback for AS2, AS3 set
5 Nov – AS3 Submission
12 Nov – Feedback for AS3, AS4 set
19 Nov – AS4 Submission
26 Nov – Feedback for AS4, AS5 set
3 Dec – AS5 Submission
10 Dec – Feedback for AS5, Course End

Care Poetics [Autumn 2025]

Private Course Group with 17 members

7 Oct – Assignment 1 (AS1) set
14 Oct – AS1 Submission
21 Oct – Feedback for AS1, AS2 set
28 Oct – AS2 Submission
4 Nov – Feedback for AS2, AS3 set
11 Nov – AS3 Submission
18 Nov – Feedback for AS3, AS4 set
25 Nov – AS4 Submission
2 Dec – Feedback for AS4, AS5 set
8 Dec – AS5 Submission
16 Dec – Feedback for AS5, Course End

Learning from the Female Poets: Influence & Inspiration [Autumn 2025]

Private Course Group with 17 members

9 Oct – Assignment 1 (AS1) set
16 Oct – AS1 Submission
23 Oct – Feedback for AS1, AS2 set
30 Oct – AS2 Submission
6 Nov – Feedback for AS2, AS3 set
13 Nov – AS3 Submission
20 Nov – Feedback for AS3, AS4 set
27 Nov – AS4 Submission
4 Dec – Feedback for AS4, AS5 set
10 Dec – AS5 Submission
18 Dec – Feedback for AS5, Course End

Prose for Poets, Poets for Prose [Autumn 2025]

Private Course Group with 17 members

1 Oct – Assignment 1 (AS1) set
8 Oct – AS1 Submission
15 Oct – Feedback for AS1, AS2 set
22 Oct – AS2 Submission
29 Oct – Feedback for AS2, AS3 set
5 Nov – AS3 Submission
12 Nov – Feedback for AS3, AS4 set
19 Nov – AS4 Submission
26 Nov – Feedback for AS4, AS5 set
3 Dec – AS5 Submission
10 Dec – Feedback for AS5, Course End

NaPoWriMo 2017

Public Group with 648 members

April is National Poetry Writing Month. Join us, and write a poem a day for the whole month! We’ll be supplying a fresh prompt every morning to get you writing, and an example poem to get you in the right frame of mind. Post your poems in the group, and share in the discussion! This group is open to everyone – invite your friends.

Prompts will be posted in the group (not via email). First, make sure you’re in the group, not on the Campus homepage, then click #NaPoWriMoPrompts at the top of the page to see all of the prompts.

Writing in the Dark – Poetry for the Waning Year [Autumn 2025]

Private Course Group with 17 members

30 Sept – Assignment 1 (AS1) set
7 Oct – AS1 Submission
14 Oct – Feedback for AS1, AS2 set
21 Oct – AS2 Submission
28 Oct – Feedback for AS2, AS3 set
4 Nov – AS3 Submission
11 Nov – Feedback for AS3, AS4 set
18 Nov – AS4 Submission
25 Nov – Feedback for AS4, AS5 set
2 Dec – AS5 Submission
9 Dec – Feedback for AS5, Course End

Transreading the Archive with Corbel Stone Press [Autumn 2025]

Private Course Group with 17 members

7 Oct – Assignment 1 (AS1) set
14 Oct – AS1 Submission
21 Oct – Feedback for AS1, AS2 set
28 Oct – AS2 Submission
4 Nov – Feedback for AS2, AS3 set
11 Nov – AS3 Submission
18 Nov – Feedback for AS3, AS4 set
25 Nov – AS4 Submission
2 Dec – Feedback for AS4, AS5 set
8 Dec – AS5 Submission
16 Dec – Feedback for AS5, Course End

Birds & Birdsongs Studio+ [Autumn 2025]

Private Course Group with 19 members

13 Oct –  Assignment 1 (AS1) set
20 Oct – AS1 Submission & AS2 set
27 Oct – Feedback for AS1, AS2 Submission & AS3 set
3 Nov – Feedback for AS2, AS3 Submission & AS4 set
10 Nov – Feedback for AS3, AS4 Submission
17 Nov – Feedback for AS4, Course end

‘What Work Is’: Class, Labour and the Privilege of Poetry [Autumn 2025]

Private Course Group with 17 members

29 Sept – Assignment 1 (AS1) set
6 Oct – AS1 Submission
13 Oct – Feedback for AS1, AS2 set
20 Oct – AS2 Submission
27 Oct – Feedback for AS2, AS3 set
3 Nov – AS3 Submission
10 Nov – Feedback for AS3, AS4 set
17 Nov – AS4 Submission
24 Nov – Feedback for AS4, AS5 set
1 Dec – AS5 Submission
8 Dec – Feedback for AS5, Course End

Spells, Prayers, & Magic Studio [Autumn 2025]

Private Course Group with 19 members

6 Oct – Assignment 1 (AS1) set
13 Oct – AS1 Submission, AS2 Set
20 Oct – Feedback for AS1, AS2 Submission, AS3 Set
27 Oct – Feedback for AS2, AS3 Submission
3 Nov – Feedback for AS3, Course End

Follow the Impulse of the Brush: Transreading Japanese Forms [Autumn 2025]

Private Course Group with 16 members

9 Oct – Assignment 1 (AS1) set
16 Oct – AS1 Submission
23 Oct – Feedback for AS1, AS2 set
30 Oct – AS2 Submission
6 Nov – Feedback for AS2, AS3 set
13 Nov – AS3 Submission
20 Nov – Feedback for AS3, AS4 set
27 Nov – AS4 Submission
4 Dec – Feedback for AS4, AS5 set
1 Dec – AS5 Submission
18 Dec – Feedback for AS5, Course End

Experimental Poetry and Where it Came From: A Retrospective Masterclass [Autumn 2025]

Private Course Group with 15 members

22 Sept – Assignment 1 (AS1) set
29 Sept – AS1 Submission
6 Oct – Feedback for AS1, AS2 set
13 Oct – AS2 Submission
20 Oct – Feedback for AS2, AS3 set
27 Oct – AS3 Submission
3 Nov – Feedback for AS3, AS4 set
10 Nov – AS4 Submission
17 Nov – Feedback for AS4, AS5 set
1 Dec – AS5 Submission
15 Dec – Feedback for AS5, Course End

Human / Nature

Private Course Group with 16 members

The natural world has long been a site of fascination and wonder for poets. But how do we write our surroundings now – whether urban or rural – at a time when the human impact on the environment is at its most acute? Taking poetry that responds to the complexities of its surroundings from around the world as inspiration and example, we will read a range of poets including A R Ammons, Liz Berry, Tom Chivers, Lucille Clifton, David Constantine, Camille Dungy, John Kinsella, W S Merwin, Pablo Neruda, Pascale Petit and Gary Snyder. Through close readings and a range of practical exercises, this course will explore how we might approach the pressing global complexities of the 21st century to create poems that are fresh, engaging and politically alert.

Exquisite Corpse (Open Workshop)

Private Group with 9 members

Have you ever wanted to collaborate with a group of poets on one piece of work?

Well, the Surrealists started the Exquisite Corpse enterprise for this very purpose, as a sort of party game or parlour trick, a kinetic placement of ideas and images. So let’s create our monster: no rules, no theme, no demands, except that all contributions are concealed until the body of work is complete, then we will step back to wait for the lightning.

In this Open Workshop with Janette Ayachi, the Poetry School’s Digital Poet in Residence, you will be posting lines and conjoining them together to generate a poem charged from the CAMPUS ether. You will look at how the process began as a visual art form, and you will learn how wonderful it can be to be detached from subject, writing for the sake of writing, automatically and without purpose other than to assist a bigger picture – lines will become limbs and poets will become the donors. The finished body may end up being absurd; but the variability at play, the unforeseen elements and group participation will gloriously disrupt the conscious mind’s affinity for procedure, and possibly invite change to the way you frequently structure your poems.

To sign up and for more information: http://campus.poetryschool.com/open-workshop-exquisite-corpse/

News, Events, Happenings …

Public Group with 7,332 members

Tell us about your own poetry news – what events are you planning, which magazine has just accepted your poem, what competitions are you entering? We love to know what Poetry School students and friends are up to – this a place for you to blow your own trumpets!

Ecology of Memory: Multimedia Transgenerational Ecopoetics [Autumn 2025]

Private Course Group with 17 members

8 Oct – Assignment 1 (AS1) set
15 Oct – AS1 Submission
22 Oct – Feedback for AS1, AS2 set
29 Oct – AS2 Submission
5 Nov – Feedback for AS2, AS3 set
12 Nov – AS3 Submission
19 Nov – Feedback for AS3, AS4 set
26 Nov – AS4 Submission
3 Dec – Feedback for AS4, AS5 set
9 Dec – AS5 Submission
17 Dec – Feedback for AS5, Course End