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Booking information

Duration: five fortnightly sessions per term
Dates for Spring 2012: 17th Jan, 31st Jan, 14th Feb, 28th Feb and 13th Mar
Dates for Summer 2012: 24th Apr, 8th May, 22nd May, 5th June and 19th June
Type: Course
Level: Open to all
Location: South East

Term 1

Start date: Tuesday 11th Oct 2011
Session times: Tuesdays, fortnightly, 7-9pm
Cost:
Full cost:£57.00
60+:£45.00
Concs:£34.00

Term 2

Start date: Tuesday 17th Jan 2012
Session times: Tuesdays, fortnightly, 7-9pm
Cost:
Full cost:£57.00
60+:£45.00
Concs:£34.00

Term 3

Start date: Tuesday 24th Apr 2012
Session times: Tuesdays, fortnightly, 7-9pm
Cost:
Full cost:£63.00
60+:£50.00
Concs:£38.00

 

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Face to face

*Pushing the Boundaries

Has your poetic practice become too safe and cosy? Do you stick to the same themes / subjects / strategies for writing poems? On this course, you’ll leave your comfort zones, and strike out for the unknown; challenge yourselves to write the sort of poems you’ve never tried before; depending on what the group would like to explore, this could include experimental poetry, prose poems, lesser known poetic forms.

*You can enroll in this course even if it has already started.

Tutor:

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Catherine Smith

A writer of prose and drama as well as poetry, Catherine Smith teaches for the University of Sussex, the Arvon Foundation, and runs a creative writing enrichment group for youngsters; unsurprising for a poet whose own writing bustles with people of all kinds. Widely admired, her three poetry collections to date have been shortlisted for several prizes and in 2004, she was named among "the twenty most exciting poets to have published a first collection in the last ten years" as part of the PBS/Guardian's 'Next Generation Poets' promotion. It is Smith's ability to pique and sustain the reader's interest through direct address and, at times, queasy detail, which ensures the success of her work. Take 'How It All Started', the opener on this Archive recording: "Do you know this dream'", the poet queries, before feats of association lead to the potent image of "a soldier's / booted foot lying in a puddle": "how the rest of him wasn't there, just a stump / of bone". Throughout Smith's reading of these edgy, compelling poems, the curious and the disturbing are forever bubbling to the surface.

Much of this lively yet quietly insistent recording draws on Smith's third collection, Lip: a book praised by Daljit Nagra as "funny and intelligent - a unique comic-serious exploration of the conflicts between contemporary mores and physical desires".

 

About the venue

 

Access Information

Please note: The Writers' Place is very limited in accessibility. If you wish to attend an activity here and you have a disability, please call The Poetry School prior to booking. 

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