« Back to results

Booking information

Duration: five fortnightly sessions
Dates: 10th Jan, 24th Jan, 7th Feb, 21st Feb, 6th Mar
Type: Course
Level: Open to all
Location: London

Details

Start date: Tuesday 10th Jan 2012
Session times: Tuesdays, fortnightly 6.45-8.45pm
Cost:
Full cost:£63.00
60+:£50.00
Concs:£38.00

 

Share This Page

Face to face

Meet the Relatives

How do we write about our nearest and dearest (or not so dearest) in our work? What are the ethical considerations around ‘writing the family’? You’ll look at the ways in which some of our best and most daring contemporary poets - including Tim Liardet, Sharon Olds, Pascale Petit, Ros Barber and Neil Rollinson - have represented family members and relationships in their poetry, using a variety of approaches, from the unequivocally direct to the surreal.

Tutor:

» Expand
Catherine Smith

A writer of prose and drama as well as poetry, Catherine Smith teaches for the University of Sussex, the Arvon Foundation, and runs a creative writing enrichment group for youngsters; unsurprising for a poet whose own writing bustles with people of all kinds. Widely admired, her three poetry collections to date have been shortlisted for several prizes and in 2004, she was named among "the twenty most exciting poets to have published a first collection in the last ten years" as part of the PBS/Guardian's 'Next Generation Poets' promotion. It is Smith's ability to pique and sustain the reader's interest through direct address and, at times, queasy detail, which ensures the success of her work. Take 'How It All Started', the opener on this Archive recording: "Do you know this dream'", the poet queries, before feats of association lead to the potent image of "a soldier's / booted foot lying in a puddle": "how the rest of him wasn't there, just a stump / of bone". Throughout Smith's reading of these edgy, compelling poems, the curious and the disturbing are forever bubbling to the surface.

Much of this lively yet quietly insistent recording draws on Smith's third collection, Lip: a book praised by Daljit Nagra as "funny and intelligent - a unique comic-serious exploration of the conflicts between contemporary mores and physical desires".

 

About the venue

 

Access Information

The Poetry School has accessible parking with a front entrance drop-off point. The room used for classes is on ground level and there is adequate space for wheelchair users and an induction loop available upon request. There are fully equipped disabled toilets and an emergency assistance alarm is fitted. For further information please contact the office.


Journey Planner

We would also recommend...

» More
Open to all, Eve Grubin