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Booking information

Duration: Five fortnightly sessions per term
Dates for Spring 2012: 11th Jan, 25th Jan, 8th Feb, 22nd Feb and 7th Mar
Dates for Summer 2012: 25th Apr, 9th May, 23rd May, 6th June and 20th June
Type: Course
Level: Open to all
Location: South West

Term 1

Start date: Wednesday 5th Oct 2011
Session times: Wednesdays, fortnightly, 6.30-8.30pm
Cost:
Full cost:£57.00
60+:£45.00
Concs:£34.00

Term 2

Start date: Wednesday 11th Jan 2012
Session times: Wednesdays, fortnightly, 6.30-8.30pm
Cost:
Full cost:£57.00
60+:£45.00
Concs:£34.00

Term 3

Start date: Wednesday 25th Apr 2012
Session times: Wednesdays, fortnightly, 6.30-8.30pm
Cost:
Full cost:£63.00
60+:£50.00
Concs:£38.00

 

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*Language, Voice & Poetic Play 2011/2012

This course is ideal for those wanting to reawaken a love of words, to explore the musicality of language and to develop confidence as a writer. Each session includes writing games and exercises to get you going, and discussion and analysis to develop your work beyond that initial spark. You will receive regular feedback and will have the chance to develop the reading/performance skills essential for any poet wanting to reach an audience. Designed to stretch and inspire writers of all levels.

*You can enroll in this course even if it has already started.

Tutor:

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Hannah Silva

 

Hannah Silva is a writer and performer based in Plymouth where she is currently 'Artist in Residence' with the Arts Unit. She has performed her poetry internationally, toured with Apples & Snakes and been featured on Radio 3's 'The Verb'. Her solo show, 'Opposition, A Little Political Speech Opera', is at the Edinburgh Fringe this summer. She teaches poetry, performance writing and playwriting in Devon. Visit her website for details.

‘Her physical performances, fast-talking delivery and innovative use of cut-up text make her one of the most ambitious and entertaining poets in the country’

The Times Online, Top Ten Literary Stars of 2008

 

‘Hannah Silva is one of the most exciting, original artists on the UK poetry scene. Her unique word play has a piercing intelligence and genuine warmth that never fails to charm audiences’

Sarah Ellis –Head of Creative Programmes, The Albany.

‘She uses techniques like cut-up and collage, sound poetry and physical theatre to create something that's unique but nods to older forms like shamanism, pre-religious ceremonies, Dadaism, and the kind of games that children play with language’.

The Verb, Radio 3

 

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